Previous Editions

Riga / ON 2024

International Contemporary
Dance Workshop
May 1 – May 5, 2024

42

HOURS DANCE

59

participants

14

countries

8

teachers

Teachers

Video recap

Riga / ON 2023

International Contemporary
Dance Workshop
April 30 – May 4, 2023

42

HOURS DANCE

57

participants

12

countries

4

teachers

Teachers

Video recap

Gallery

Riga / ON 2022

International Contemporary
Dance Workshop
April 30 – May 4, 2022

82

HOURS DANCE

43

participants

6

countries

4

teachers

Teachers

Inaki Azpillaga

Laja Field

Dmitrijs Gaitjukevics

Ruta Ronja Pakalne

Video recap

Riga / ONline 2021

International Contemporary
Dance Workshop
May 1 – May 4, 2021

28

HOURS DANCE

57

participants

11

countries

5

teachers

Teachers

MANUEL RONDA

MATE MESZAROS

ELENA FOKINA

ALEKSANDRA JANEVA IMFELD

OLGA ZITLUHINA

Video recap

Riga / ONline 2020

International Contemporary
Dance Workshop
May 1 – May 5, 2020

25

HOURS DANCE

243

participants

12

countries

16

teachers

Teachers

LAURA ARIS ALVAREZ

Belgium

MANUEL RONDA

Italy

MATE MESZAROS

Hungary

ALEKSANDRA JANEVA IMFELD

Belgium

KEREN LEVI

Netherlands

JOHN SIMON WIBORN

Sweden

DMITRIJS GAITJUKEVICS

Latvia

OLGA ZITLUHINA

Latvia

IEVA GAURILČIKAITE

Latvia

KRIŠJĀNIS SANTS

Latvia

ALEXANDER LYUBASHIN

Russia

VIACHESLAV BUCHOK

Ukraine

Video recap

Riga / ON 2019

International Contemporary
Dance Workshop
April 30 – May 4, 2019

87

HOURS DANCE

97

participants

7

countries

5

teachers

Teachers

MATE MESZAROS

CHLOE BEILLEVAIRE

KEREN LEVI

KRIŠJĀNIS SANTS & IEVA GAURILČIKAITE

Video recap

Riga / ON 2018

International Contemporary
Dance Workshop
April 30 – May 4, 2018

68

HOURS DANCE

53

participants

8

countries

4

teachers

Teachers

Laura Aris Alvarez

Aladino R. Blanca

Dmitrijs Gaitjukevics

Alexander Lyubashin

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Video recap

Nicolas Sanchez

Workshop description

In this workshop, we will delve into the interplay between focus and stamina, exploring how these states shape our movement and presence. 

Through breathing exercises and slow, deliberate movement, we will cultivate a deep sense of focus, grounding ourselves and refining our awareness. From there, we’ll shift into stamina, drawing on collective energy to push past individual limits and unlock a state of effortless flow. 

To access this flow, we will explore how to move with ease, using the body’s weight and natural balance to transition seamlessly. We will work on dynamic entries and exits from the floor, especially on falling, but also incorporating jumps and acrobatics to experience moments of suspension. 

This journey will open the door to playful experimentation, encouraging each dancer to harness different states of being with intention and adaptability, bringing new depth and vitality to their practice

Biography

Nicolas is a multi-faceted artist whose journey from political science to the creative arts reflects a deep and evolving exploration of self-expression. After completing a university degree in political science, he redirected his focus to dance, immersing himself in extensive training in Germany and Portugal. His dedication to mastering the craft led him to become both a dancer and choreographer, where he draws inspiration from themes that resonate deeply within him, transforming personal experiences into powerful performances. 

As an artist, Nicolas is not confined to one medium. His passion for reading, writing, and video creation serves as an extension of his dance practice, allowing him to refine his artistic vision and explore new ways of storytelling. These diverse creative outlets enrich his work, offering a holistic approach to his artistic expression. 

Through his choreography and performances, Nicolas aims to evoke emotion, provoke thought, and offer audiences a glimpse into his own process of discovery and transformation. His work is characterized by a delicate balance between complexity and simplicity, where the understated elements hold as much significance as the more overt expressions. 

Nicolas believes that art should be a reflection of life’s intricacies, and he strives to 

communicate his own experiences, both raw and refined, with authenticity and sincerity. 

Milan Tomášik

Poetic body

Where attention goes energy flows – Poetic Body workshop represents a body that is fully present, alive, and engaged. It is an ongoing, immersive practice built on experience of Happy Feet and Playful Presence that draws on inclusive approaches and techniques such as contemporary dance, improvisation, and composition. It incorporates the concept of the body as an instrument or medium capable of expressing and embodying diverse movement qualities, rhythm, tension, emotions, and immaterial. Poetic Body is about the ability to execute any desired action fully, passionately and with ease. We bring action by waking up the body and mind through various physical games, attuning the body to the moment and the space, channelling energy through qigong principles, and connecting with ourselves and the environment. I love to create a friendly atmosphere where we respect the differences and nourish the individuality. In such atmosphere, the learning potential is enormous and even the most sophisticated movement seems easy. I offer a holistic approach to dancing, in which the practise of spontaneous and set movement is intertwined, technique meets with passion and wellbeing is priority. The emphasis is on rhythm and musicality, but we also pay attention on articulation of the different body parts, precise execution of the movement, the foot work, jumps, and spins. I guide you through the exploration of contrasting movement qualities such as range of body tension and we’ll investigate the connection between emotion and motion. I bring my extensive experience as a long-time practitioner of instant composition into each session, guiding students through techniques that enhance presence, awareness, responsiveness, and creativity within performance. I have been teaching for over twenty years and my practice is developed, interconnected, and mutually influenced around the craft of choreography, dance and teaching.

Biography

MILAN TOMÁŠIK (SK/SLO) is a choreographer, performer, teacher and artistic director working internationally in the field of dance and performing arts. His training includes J. L. Bella Conservatory Banská Bystrica (SK), the Academy of Performing Arts, Bratislava (SK), Moving Academy for Performing Arts (NL), and P.A.R.T.S. (BE), directed by Anna Teresa de Keersmaeker. In 2024 he completed his master’s studies at Alma Mater Europaea (SLO).

Milan has performed professionally for twenty years, collaborating with artists across Europe such as Eva Weissmann, Katarina Zagorski, Iztok Kovač, Mala Kline, Maja Delak, Magdalena Reiter, Anja Zag Golob, Andreja Rauch Podrzavnik, Sláva Daubnerová, Agostina D’Alessandro, Aleksandra Pavlovič, Charlie Brittain. He is co-founder of the Les SlovaKs dance collective with whom he created and performed three works that acquired international fame. The first piece is Opening Night (2007), then Journey Home (2009) and Fragments (2012). 

His choreographic work is performed internationally, has delivered commissions for Krakow Dance Theater (Treatise, Poland), Scenario Pubblico (Intrecciato, Italy), Divadlo Štúdio tanca (Besi, Veselosti minulosti, Slovakia) and tri4 association (Pokrm, Slovakia). In 2022, Milan collaborated with a director Sláva Daubnerová on adaptation of George Sand’s novel Gabriel at Badishes Staatstheater in Karlsruhe (Germany). In 2014 he founded his own dance company Milan Tomášik & Co and created three dance performances Hunting Season (2014), Silver Blue (2015) and Fight Bright (2018) performed on various European festivals. The Hunting Season performance has been selected and supported by Dancenet Sweden to tour nationally, the piece has also received two awards for the lighting design (KioSk festival, SK and Gibanica festival, SLO) and Ksenija Hribar Award for the best dancer (Tina Valentan, Gibanica festival, SLO). Milan’s authorship and unique stage presence is best represented in his solo performances Within (2006), Off-beat (2011), Solo 2016 (2016), and Arms That Never Knew Me (2024). Since 2018, he collaborates closely with British artist Charlie Brittain on productions Echo (2019), Indefinite Frequency (2021), Unchanging (2022) and Arms that never knew me (2024). The dance concert Indefinite Frequency with the Slovenian Percussion Project (SToP) was selected and supported by the Pan Adria network in 2021.

Milan is regularly invited as a guest teacher around the world to deliver his signature workshops Happy Feet and Playful Presence, in 2023 fused in Poetic Body. During 2023-2024 season he was partly employed at dance gymnasium (SVŠGUGL) in Ljubljana. His teaching includes Salzburg Experimental Academy of Dance (AT), Le Centre national de dance contemporaine Angers (F), The Danish National School of Performing Arts Copenhagen, Holstebro (DK), Stockholm University of the Arts (SE), Zagreb Academy of Dramatic Arts/University of Zagreb (CRO), Frankfurt University of Music and Performing Arts (DE), Belgrade Dance Institute (RS), Alma Mater Europaea (SLO), Lithuanian Academy of Music and Theatre (LT), Academy of Theatre and Dance/Amsterdam University of the Arts (NL), School of Fine and Performing Arts Tilburg (NL), London Contemporary Dance School (UK), Training with one Dublin (IE), The Academy of Performing Arts Bratislava (SK), B12 Berlin (DE), Deltebre dansa (ES), La Central del Circ Barcelona (ES), El Graner Barcelona (ES), Tictac Art Centre (BE), La Raffinerie Brussels (BE), Danse Centrum Jette Brussels (BE), P.A.R.T.S. summer school Brussels (BE), Out of the Toolbox Ghent (BE), Kaserne Basel (CH), Tanzwerkstatt Europa München (DE), Akropoditi dance festival Syros (GR), Dance Days Chania Crete (GR), Platforma Nest – research cycle Ljubljana, Dance Theatre Ljubljana (SLO), Vibra Ljubljana (SLO), EN-KNAP (SLO), Divadlo Štúdio tanca (SK), Akram Khan Company (UK), Ultima Vez Brussels (BE), Theatre Bielefeld (DE), Yucatan dansa Merida (Mexico), Rosario, Tucuman (Argentina), Kazan, Yekaterinburg (Russia), The New Beijing (China), Kinshasa (Democratic Republic of Congo) and CoDa21 San Juan (Puerto Rico), among others. 

Milan was an associated artists of Scenario Pubblico in Catania (IT) and an artistic curator of Out of the Toolbox workshop festival in Ghent, (BE). He was a recipient of the Dance Web Scholarship at ImpulsTanz Festival (AT), was awarded the Prize of the City Prievidza (SK) and received an award for the solo performance Off-beat at international festival Cortoindanza in Cagliari, Sardinia (IT).